In each stage, you’re given a (very dead) individual to learn about. Primarily, that mechanic is translated into a treasure hunt. Slicing becomes the core of practically every interaction you have with I Am Dead’s world, and it’s a deeply enjoyable one, offering a feeling of constantly being on the verge of finding another secret. Others feel more redolent of stories to be told: a pocket holds a keepsake from a long-lost friend, a bush with a shovel stuck in it might hide secrets beneath ground level, a person’s mind reveals their memories. Some are inconsequential, but gorgeous: dull rocks reveal beautiful internal crystalline patterns, a ship’s computer shows off intricate circuitry, a toilet cistern contains a stowaway lobster. Travelling across multiple brightly-coloured areas of the island in turn – from a lighthouse-turned-yoga-retreat to the ragtag group of vessels that fills its harbour – you’ll be able to slice through hundreds of individual items. Noire where you pivot an item around in your hand looking for clues, except now Detective Phelps can plunge his eyes directly through the molecular structure of those objects. Slicing is the representation of that detail - you can zoom into locations, then zoom into items in those locations, and then zoom physically inside those items. He might be unable to interact directly with the world, but Morris can now examine anything on it in minute, normally impossible detail. In short order, his spectral dog, Sparky, tells him that the island’s dormant volcano is about to erupt, and he needs to convince a fellow ghost to become the island’s spirit and hold back the disaster – he just needs to track them down first. Morris, having died offscreen, reappears on his fictional North Atlantic island home of Shelmerston as an invisible ghost. At the awards ceremony, Reddy thanked God, saying: "Because She makes everything possible.Core to I Am Dead is the idea of ‘slicing’. 1 on the Billboard charts, and Reddy took home a Grammy. Slowly - with Wald promoting the song market by market - the song became a hit. The station was soon inundated with requests to hear it again. And "I Am Woman" struck a chord with those listeners. Wald himself took the song to a small radio station on the outskirts of Washington, D.C., knowing that the area was filled with women working pink-collar jobs. "'Why are you letting your wife do this stuff?'" "'That women's lib crap is gonna kill her,' " Wald recalled the label as saying. In an NPR interview about "I Am Woman," Wald said that a label executive dismissed the whole enterprise. She wrote the lyrics, songwriter Ray Burton penned the music, and Jeff Wald talked Capitol into letting her release it. "Over and over," she recalled, "'I am strong, I am invincible, I am woman.' And I thought, well, this has to be a song." In a 2014 interview with Houston Public Media, Reddy explained that the phrase "I am woman" came to her and just wouldn't leave. American Anthem You're Gonna Hear Them Roar: 'I Am Woman' Is An Anthem Beyond Its Era
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